Track length: | 5:12 |
Artist: | Knut Reiersrud |
Performer: | Bugge Wesseltoft - Fender Rhodes and Electronics |
Knut Reiersrud - Indian lapsteel - baryton Guitar | |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud |
ISRC: | NOWAJ0921010 |
Track length: | 6:04 |
Artist: | Knut Reiersrud |
Performer: | Knut Reiersrud - National steel - ´66 Fender custom Esquire open D tuning |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud |
ISRC: | NOWAJ0921020 |
Track length: | 3:34 |
Artist: | Knut Reiersrud |
Performer: | Knut Reiersrud - 12 String |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud |
ISRC: | NOWAJ0921030 |
Track length: | 4:14 |
Artist: | Knut Reiersrud |
Performer: | Nils Petter Molvaer - Trumpet |
Knut Reiersrud - 12 String | |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud / N.P. Molvaer |
ISRC: | NOWAJ0921040 |
Track length: | 2:35 |
Artist: | Knut Reiersrud |
Performer: | Knut Reiersrud - Australian Cole Clark Guitar |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud |
ISRC: | NOWAJ0921050 |
Track length: | 4:23 |
Artist: | Knut Reiersrud |
Performer: | Javid Afsari Rad - Santour |
Knut Reiersrud - Irish Lowden Guitar | |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud / Afsari Rad |
ISRC: | NOWAJ0921060 |
Track length: | 10:12 |
Artist: | Knut Reiersrud |
Performer: | Bugge Wesseltoft - Fender Rhodes - Hammond B3 |
Knut Reiersrud - 1960 Gibson ES 175 | |
Nicolai Hængsle Eilertsen -Electric Bass | |
Andreas Bye - Drums | |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud - Bugge Wesseltoft |
ISRC: | NOWAJ0921070 |
Track length: | 2:36 |
Artist: | Knut Reiersrud |
Performer: | Knut Reiersrud - MARTIN D 28 |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud |
ISRC: | NOWAJ0921080 |
Track length: | 4:23 |
Artist: | Knut Reiersrud |
Performer: | Bugge Wesseltoft - Hammond B3 |
Knut Reiersrud - 61´Stratocaster | |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud / Wesseltoft |
ISRC: | NOWAJ0921090 |
Track length: | 3:03 |
Artist: | Knut Reiersrud |
Performer: | Bugge Wesseltoft - Dave Smith Prophet8 |
Knut Reiersrud - Japanese High strung K´Yari Guitar | |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud |
ISRC: | NOWAJ0921100 |
Track length: | 2:49 |
Artist: | Knut Reiersrud |
Performer: | Bugge Wesseltoft - Piano |
Knut Reiersrud - Old Resonator gutar open D | |
Producer: | Bugge Wesseltoft |
Genre: | crossover |
Studio: | Buggesroom recorded by Bugge wesseltoft - Mixed by Ulf Holand at Lydlab |
Arranger: | Knut Reiersrud |
Composer: | Knut Reiersrud |
ISRC: | NOWAJ0921110 |
For jazzland a couple of years ago. We have joined forces on a few musical events over the years and he also played the kyes on my "Soul Of A Man" Album back in 1998. But we´d never had the opportunity to into real nitty gritty together - before now. I have appreciated Bugge and his universe since we first crossed paths in the late eighties. As a guitarist comming from folk and blues, I´ve always admired good jazzplayers and looked to jazzphilosophy for inspiration. After a jazzland ession with Håkon Kornstad one winter´s night in 2007, Bugge and I sat down and discussed the concept. His instructions where somewath surprising. ; " Bring a bunch of different guitars to the studio, sit down with a cup of itaian grind and play softly and relaxed. as if you where sitiing in your living room playing while watching the TV news- or maybe upstairs playing while putting the kids to bed" (cant recall to have said that..bugge:). I liked the idea, brought the guitars along with a few friends and favourite players, And- what you are looking at- well, this is it.
Being a huge fan of Knut Reiersrud for many many years. I had the dream of putting him and his incredible, personal and deeply rooted guitarplaying into a somewhat "listening" context. Blues meets traditional meets jazz meets ambient
It was an honour and im very happy with the result. (bugge)
Personel:
Knut Reiersrud - Assorted Guitars
Nils Peter Molvær - Trumpet
Javid Afsahari Rad - Santour
Bugge Wesseltoft - Fender Rhodes - Hammond B3 - Piano
Andreas Bye - Drums
Nicolai Hængsle Eilertsen - Electric Bass
2009 Jazzland recordings
Knut Reiersrud
Reiersrud's unique talent shines out through all this versatility. In some inexplicable way, he creates an aura around the notes that is pure Reiersrud, whether he is playing African, Indian, Norwegian or American folk music, whether he dwells sobbingly, dances with cat's paw virtuosity over the strings or is downright noisy. It sometimes sounds as though he is giving birth to the notes right there and then, possibly as a result of his never using a plectrum because he wants to be close to the strings. His playing seems to find the essence; it evidences fundamentality, understanding and a sense of origin. All this is due to his insatiable curiosity and enviable openness. On the other hand, he can also be surprisingly conventional, as when he maintains that modern blues consists of good and less good copies of the great mast...