Track length: | 6:19 |
Artist: | Jan Garbarek Quartet |
Performer: | Jon Christensen percussion |
Arild Andersen bass, african thumb piano, xylophone | |
Terje Rypdal guitar, bugle | |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion | |
Producer: | Manfred Eicher |
Studio: | Talent studio Recorded and Mixed by Jan Erik Kongshaug |
Composer: | Jan Garbarek |
ISRC: | DEB337000701 |
Track length: | 1:56 |
Artist: | Jan Garbarek Quartet |
Performer: | Jon Christensen percussion |
Arild Andersen bass, african thumb piano, xylophone | |
Terje Rypdal guitar, bugle | |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion | |
Producer: | Manfred Eicher |
Studio: | Talent studio Recorded and Mixed by Jan Erik Kongshaug |
Composer: | Jan Garbarek |
ISRC: | DEB337000702 |
Track length: | 12:27 |
Artist: | Jan Garbarek Quartet |
Performer: | Jon Christensen percussion |
Arild Andersen bass, african thumb piano, xylophone | |
Terje Rypdal guitar, bugle | |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion | |
Producer: | Manfred Eicher |
Studio: | Talent studio Recorded and Mixed by Jan Erik Kongshaug |
Composer: | Jan Garbarek |
ISRC: | DEB337000703 |
Track length: | 8:41 |
Artist: | Jan Garbarek Quartet |
Performer: | Jon Christensen percussion |
Arild Andersen bass, african thumb piano, xylophone | |
Terje Rypdal guitar, bugle | |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion | |
Producer: | Manfred Eicher |
Studio: | Talent studio Recorded and Mixed by Jan Erik Kongshaug |
Composer: | Jan Garbarek |
ISRC: | DEB337000704 |
Track length: | 1:53 |
Artist: | Jan Garbarek Quartet |
Performer: | Jon Christensen percussion |
Arild Andersen bass, african thumb piano, xylophone | |
Terje Rypdal guitar, bugle | |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion | |
Producer: | Manfred Eicher |
Studio: | Talent studio Recorded and Mixed by Jan Erik Kongshaug |
Composer: | Jan Garbarek |
ISRC: | DEB337000705 |
Track length: | 0:53 |
Artist: | Jan Garbarek Quartet |
Performer: | Jon Christensen percussion |
Arild Andersen bass, african thumb piano, xylophone | |
Terje Rypdal guitar, bugle | |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion | |
Producer: | Manfred Eicher |
Studio: | Talent studio Recorded and Mixed by Jan Erik Kongshaug |
Composer: | Jan Garbarek |
ISRC: | DEB337000706 |
Track length: | 7:58 |
Artist: | Jan Garbarek Quartet |
Performer: | Jon Christensen percussion |
Arild Andersen bass, african thumb piano, xylophone | |
Terje Rypdal guitar, bugle | |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion | |
Producer: | Manfred Eicher |
Studio: | Talent studio Recorded and Mixed by Jan Erik Kongshaug |
Composer: | Jan Garbarek |
ISRC: | DEB337000707 |
Track length: | 1:08 |
Artist: | Jan Garbarek Quartet |
Performer: | Jon Christensen percussion |
Arild Andersen bass, african thumb piano, xylophone | |
Terje Rypdal guitar, bugle | |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion | |
Producer: | Manfred Eicher |
Studio: | Talent studio Recorded and Mixed by Jan Erik Kongshaug |
Composer: | Jan Garbarek |
ISRC: | DEB337000708 |
Jan Garbarek tenor and bass saxophones, clarinet, flutes, percussion
Terje Rypdal guitar, bugle
Arild Andersen bass, african thumb piano, xylophone
Jon Christensen percussion
Recorded September 1970
The Norwegian saxophon player, Jan Garbarek had an early breakthrough into the elite of modern jazz in the 60's, due to his extensive cooperation with Keith Jarrett. His name is listed next to the big names from the U.S. and is associated with the birth of an original european sound in jazz. His tone is clear, indipendent, ascetic and pure. “The north and nature, song and mystery” are what Garbarek calls his origins and these are his unrefutable heritage. If it wasn't for his strong inner connection with Norwegian folklore, he wouldn't be able to integrate Brasilian and Asiatic influences as convincingly as he does. That the origin of all music lies in song, is to be felt in many of his compositions, and his greatest attention lies on melody and on the clear articulation of melodious-lines, that he plays with unmistakable impressive urgency. “In my best moments I hope to give meaning to every note”. Suddenly, out of an oscillating melody, Garbarek's horn emerges, k...