Track length: | 21:12 |
Artist: | Keith Jarrett, Jan Garbarek, Palle Danielsson & Jon Christensen |
Performer: | Jon Christensen |
Palle Danielsson | |
Jan Garbarek | |
Keith Jarrett | |
Genre: | Modern |
Publisher: | Cavelight Music |
Composer: | Keith Jarrett |
ISRC: | DEB337929001 |
Track length: | 10:47 |
Artist: | Keith Jarrett, Jan Garbarek, Palle Danielsson & Jon Christensen |
Performer: | Jon Christensen |
Palle Danielsson | |
Jan Garbarek | |
Keith Jarrett | |
Genre: | Modern |
Publisher: | Cavelight Music |
Composer: | Keith Jarrett |
ISRC: | DEB337929002 |
Track length: | 13:27 |
Artist: | Keith Jarrett, Jan Garbarek, Palle Danielsson & Jon Christensen |
Performer: | Jon Christensen |
Palle Danielsson | |
Jan Garbarek | |
Keith Jarrett | |
Genre: | Modern |
Publisher: | Cavelight Music |
Composer: | Keith Jarrett |
ISRC: | DEB337929003 |
Track length: | 28:13 |
Artist: | Keith Jarrett, Jan Garbarek, Palle Danielsson & Jon Christensen |
Performer: | Jon Christensen |
Palle Danielsson | |
Jan Garbarek | |
Keith Jarrett | |
Genre: | Modern |
Publisher: | Cavelight Music |
Composer: | Keith Jarrett |
ISRC: | DEB337929101 |
Track length: | 14:52 |
Artist: | Keith Jarrett, Jan Garbarek, Palle Danielsson & Jon Christensen |
Performer: | Jon Christensen |
Palle Danielsson | |
Jan Garbarek | |
Keith Jarrett | |
Genre: | Modern |
Publisher: | Cavelight Music |
Composer: | Keith Jarrett |
ISRC: | DEB337929102 |
Track length: | 11:15 |
Artist: | Keith Jarrett, Jan Garbarek, Palle Danielsson & Jon Christensen |
Performer: | Jon Christensen |
Palle Danielsson | |
Jan Garbarek | |
Keith Jarrett | |
Genre: | Modern |
Publisher: | Cavelight Music |
Composer: | Keith Jarrett |
ISRC: | DEB337929103 |
The Belonging quartet came together initially for the album of the same name, and the musical compatibility of its members was instantly striking. Jarrett had been well aware of these musicians since the late 1960s, had played with Palle Danielsson and Jon Christensen in Norway, and his admiration for Jan Garbarek’s saxophone approach had already led him to write the string music of “Luminessence” for Garbarek to play over.
In the five years between the first album and the end of the story Belonging played infrequently enough for Jarrett to tell one journalist that it was less an ensemble than a ‘special event’. The pianist had other pressing demands on his time, then, including tours with a demanding American quartet in the final phase of its existence, and a burgeoning concert life as a popular solo improviser. In between, there was Belonging. Jarrett wrote music for the strengths of the individual players and for the sound they created as a unit, and. the classic “My ...