Founded by producer Manfred Eicher in 1969, ECM has issued over a thousand albums spanning many idioms. After establishing an early reputation with standard-setting jazz recordings by Keith Jarrett, Paul Bley, Jan Garbarek, Chick Corea, Pat Metheny, the Art Ensemble of Chicago and others, ECM began to include contemporary composition in its programme in the late 1970s. Eicher’s own background, as a musician active in both jazz and classical music, provided an unusually broad vantage point from which to survey the genres, and the producer has been credited with helping to bring form to improvised music and a sense of ‘improvisational’ flexibility to recordings of contemporary composition.
Read moreGeniouses meet! Ricardo Villalobos. Berlin based, Chilean born minimal electronic Music Guru, meets Godfather of European Jazz. Manfred Eicher.
Modern Music at its best!
Berlin-based DJs and composers Ricardo Villalobos and Max Loderbauer - two of the best-known names in contemporary electronica - share their admiration for music on ECM in a unique double-album of specially-created “sound-structures”. Their project “Re: ECM” will bring the label’s music to a new listenership. It is certain to be one of the most talked-about albums of the season. Using original ECM recordings as a starting point, Villalobos and Loderbauer create new music that bridges several worlds, including ECM’s world of space-conscious improvisation and composition and the worlds of ambient electronics and minimal techno. Source materials on “Re: ECM” include recordings of Christian Wallumrød, Alexander Knaifel, Louis Sclavis, John Abercrombie, Bennie Maupin, Arvo Pärt, Wolfert Brederode, Paul Giger and more - looped, sampled, remixed and reworked in evocative new treatments. Pleased with the duo’s creative response to his productions Manfred Eicher gave them carte blanche to carry on experimenting with the ECM titles of their choice. Eicher subsequently supervised the mastering of “Re: ECM” in Munich, completing a unique sonic experience.
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Nasjonal Jazzscene
Oslo | 05 March | 21:00
Union Scene
Drammen | 12 March
Dokkhuset
Trondheim | 19 March
Jazz Ahead
Bremen | 29 April
Ampere
Munich | 4 May
Pumpwerk
Wilhelmshaven | 4 august
Arendal Jazzklubb
Arendal | 07 March
Stavanger Jazzforum
Stavanger | 17 March
Tromsø Jazzklubb
Tromsø | 20 March
Stadtgarten
Köln | 2 May
Midtsommerjazzfestival
Ålesund | 18 June
Park der Gärten
Bad Zwischenahn | 5 August
Hadeland Jazzforum
Hadeland | 11 March
Sardinen
Bergen | 18 March
Voss Jazzfestival
Voss | 16 April
Centralstation
Darmstadt | 3 May
Festspillene in North Norway
Harstad | 20 June
“Iro Haarla is currently undergoing a period of utmost creativity both as composer and as bandleader, becoming one of the most central Finnish jazz musicians of the decade. Haarla’s music of mostly ballads is full of expression and it is recognizably Scandinavian while at the same time unique in its impressionism.”
from the jury statement of the Finnish Jazz Federation’s Yrjö-Award 2006.
“Compared to ‘Northbound’, all of Haarla’s previous recordings seem like preliminaries. This studio album is stunning, but not in the sense that it overwhelms with pyrotechnics or audacious innovations. It is its wilful intimate revelations that set it apart, and it places Haarla in rarefied company – Annette Peacock, Billy Strayhorn and precious few others. Several compositions articulate a unique, stoic brand of torch music.”
Bill Shoemaker, Point of Departure.
“In the music of the intriguing world jazz project known as Cyminology, contemplative jazz and chamber-esque qualities converge in a distinctive admix of influences, from Persian, European and even residual Brazilian musical languages …Samawatie wends her vocal parts through the alternately open and intricate compositional designs of the music. While the well-worn phrase ‘multicultural’ springs to mind, so does the phrase ‘self-defining poetic logic’.” Josef Woodard, JazzTimes
“Saburi” is launched with a February/March tour in Germany and Austria. Dates include concerts in Munich, Vienna, Stuttgart, Osnabrück, and Mannheim. Prior to the tour there will be a release concert at Berlin’s A-Trane Club on January 19, 2011. For full tour details consult the web site www.ecmrecords.com and also Cyminology’s site www.cyminology.de.
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